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Naturfatura 3.0
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Naturfatura 3.0
Catarina Leitão
Ciclocycle Nas Margens
Processos de construção, de adaptabilidade e de hibridismo integram uma prática artística através da qual Catarina propõe a ideia de que humano e natureza, artifício e natureza, cultura e natureza existem em continuidade. Entre o bidimensional e o tridimensional, o artificial e o natural, o montar e desmontar, a sua visão espacial sustém uma linguagem da escultura com recurso à instalação, desenho e livro de artista.
Representada pela Galeria Carlos Carvalho desde 2012, tem exposto o seu trabalho em locais diversos. Em Nova Iorque no P.S.1/MoMA, Socrates Sculpture Park, Andrea Rosen Gallery, Michael Steinberg e Bronx Museum; The Aldrich Museum, CN; Conta com exposições individuais no Centro de Arte Moderna Gulbenkian e na Coleção Berardo-Sintra. Destacam-se os prémios e bolsas da New York Foundation for the Arts Fellowship (2009), Center for Book Arts (2007), Triangle Arts (2006), Sharpe Foundation (2004), LMCC (2003), Pollock-Krasner Foundation Grant (2001), Fundação Calouste Gulbenkian e Fundação Luso-Americana (1997-99).
Leitão é doutorada pelo Colégio das Artes da Universidade de Coimbra (2022); MFA pela Hunter College, New York (2000), licenciada pela FBAUL (1993). Foi docente na ESAD.CR- IPL (2011-24), membro do LiDA e leciona no Colégio das Artes da Universidade de Coimbra desde 2024.
Processes of construction, adaptability, and hybridity shape an artistic practice through which Catarina proposes that human and nature, artifice and nature, culture and nature exist in continuity. Moving between the two-dimensional and the three-dimensional, the artificial and the natural, the assembling and disassembling, her spatial thinking sustains a sculptural language articulated through installation, drawing, and the artist’s book.
Represented by Galeria Carlos Carvalho since 2012, she has exhibited her work in a wide range of contexts. In New York, her work has been shown at P.S.1/MoMA, Socrates Sculpture Park, Andrea Rosen Gallery, Michael Steinberg, and the Bronx Museum; as well as at The Aldrich Museum (CT). She has held solo exhibitions at Centro de Arte Moderna Gulbenkian e na Coleção Berardo-Sintra. Her distinctions include fellowships and grants from the New York Foundation for the Arts (2009), Center for Book Arts (2007), Triangle Arts (2006), Sharpe Foundation (2004), LMCC (2003), the Pollock-Krasner Foundation (2001), and support from Fundação Calouste Gulbenkian and Fundação Luso-Americana (1997–99).
Leitão holds a PhD from the College of Arts, University of Coimbra (2022); an MFA from Hunter College, New York (2000); and a painting degree from FBAUL (1993). She taught at ESAD.CR–IPL (2011–24), was a member of LiDA, and has been teaching at the College of Arts, University of Coimbra since 2024.
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MUPI Gallery is a dedicated image gallery that was inaugurated in May 2015 in the foyer of the performance hall at Maus Hábitos. Since then, it has been hosting a diverse program of individual exhibitions by local and international artists in different states of emergence.
The primary objectives of Mupi Gallery are to support the creation of new works and visual experiences while promoting the artistic journey of the invited artists. It challenges them to present a new solo artwork that takes advantage of the unique characteristics and prominent display format. Additionally, it aims to showcase the national contemporary art scene by introducing the solid work of local artists as well as emerging names in the visual arts.
As a gallery dedicated to individual exhibitions, Mupi Gallery complements the artistic programming of Saco Azul/Maus Hábitos. It provides a contrast to the exhibition hall's program, which focuses on artistic encounters and dialogue through collective and crossover exhibitions.
Saco Azul invites one artist per month to occupy the backlit triptych, promoting the creation of works that utilize images as a means of contemporary artistic expression. Through production grants, it affirms or questions the role of images in the present day. Comprising three urban advertising communication Mupis provided by JcDecaux to Maus Hábitos, this gallery is not only interesting for its physical characteristics but also for its cultural impact and inherent commercial connotation. The artist is challenged to react or interact with this structure, embracing all its capabilities and connotations.