Crosshairs assist the purpose of achieving the aim; they function as a rule characterized to make time levelling, they also show as a static figure, emitted in the absence of a signal, and that serves as a control to test the quality of the transmission. This duality of functions is inevitably based on the field that allocates the observer and the subject, either what one wants to achieve as what one wants to analyze or attest.
The evaluations are related according to our body, but this principle moves and assumes different relations in space, in angles and perspectives, so our model determines and guides the consequences, but the measures are not always measured by the palms.

Pedro Tudela, 2020

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Pedro Tudela was born in Viseu in 1962. Completed the Painting Course at Escola Superior de Belas Artes do Porto (ESBAP) in 1987. Assistant Professor at the Faculty of Fine Arts of the University of Porto (FBAUP). As a student of ESBAP, Tudela was co-founder of the Missionary Group: he organized national and international exhibitions of painting, postal art and performance. Has participated in several performance festivals since 1982. Was the author and presenter of the radio shows "escolhe um dedo e atmosfera reduzida" at xfm, between 1995 and 1996. In 1992, on the occasion of the exhibition "Mute ... life", he founded the multimedia collective Mute Life dept. [MLd]. Tudela got involved in sound production in 1992, taking part in concerts, performances and record editions, in Portugal and abroad. Co-founder and one of the elements of the multidisciplinary project and digital music @c. Founding member of the media label Crónica. Works in scenography since 2003. Exhibits individually on a regular basis since 1981. Participates in numerous collective exhibitions in Portugal and abroad since the early 80's. He's represented in museums, public and private collections. Lives and works in Porto.